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Introduction
I decided it was time I replaced my aging 35mm SLR camera and go
digital. This page describes categorising the requirements and the
selection process.
One of my main reasons for making the transition was my increasing use
of my computer both for communication and for storage. The big
attraction of digital photography is instant results, No waiting
to see what develops - after it is generally too late to repeat the
shots. You can review the result instantly - and if necessary
retake. When you get home - you can immediately download the
trip's take without waiting for a film to be finished. I have
taken shots and they have been at the other side of the Atlantic minutes
later.
When I started my research - I looked for direct replacements for my
existing SLR. I got the photography bug before I left school -
and have relied on being able to make overriding manual adjustments for
special shots. Once I started looking at Digital Camera (DC)
specifications - I soon realised that I could get away from lugging a
bulky camera around and still achieve good results.
My experience using camcorders - which use similar technology for
converting an image - indicated the satisfactory images could also be
achieved at very much lower light levels than with conventional film.
On the down side there were problems in viewing a LCD screen in bright
light - and more serious - obtaining replacements for failed custom
batteries.
So what did I want from a DC?
Apart from acting as a general-purpose family camera - I need to be able
to photograph records - old documents and pictures - often in poor
light conditions without a flash. Remembering that todays family shots
are potential genealogy material for the future.
Basic Requirements
With the above considerations in mind - and during my research - the
categorisation of the basic DC requirements evolved as:-
-
use standard off-the-shelf batteries.
-
good picture clarity and colour replication
-
to operate at low light levels without a flash
-
to have an optical (conventional) viewfinder - as well as LCD
-
macro facilities (for close-up shots)
-
something compact - preferable pocket sized.
-
2 mega-pixel minimum image size.
-
budget £200-300 including tax (multiply by 1.4 for us$ and by 2.3
for can$ approximation including tax)
Nice to have features but not absolutely essential. If two DC's were
equal in performance when judged against 1 to 8 above - then having the
following features would give plus points:-
-
manual override of at least exposure - shutter speed - flash
(manual focus and compact do not usually co-exist)
-
Raw image output - or jpeg with a Compression Factor (CF) of 1.
Jpeg by its very nature results in image degredation unless the
Compression Factor is set to 1. The jpeg CF can be set
between 1 and 99 and is a trade-off of file size against quality. A
CF setting of 99 gives the smallest file size but the poorest quality
image.
-
take short video clips - (overcomes the significant delay between
pressing the shutter and taking the shot from which most DC's suffer)
-
use the widely available Compact Flash memory cards
My Research
When I started researching DC's it was May 2002 - and it originally
looked as though a budget of some £450-600 would be required for a 6
megapixel DC.
After examining a number of 2 to 6 megapixel images downloaded from
professional DC review sites - and taken by various cameras. It became
apparent that the larger image sizes were an unnecessary extravagance
- even when considering future proofing. Prices are falling and
specifications are getting better.
I sub-sequentially settled on 2 megapixel plus as being a good
compromise at that time. With the idea of regarding this as an
intermediate purchase - and upgrading to something else later if
necessary. This also had a very favourable impact on the budget
required. A 2 megapixel image should produce an acceptable A4 print -
a size I rarely exceeded from 35mm film.
My researches raise the question - why don't manufacturers have sample pictures
taken by their products on their websites? I am not prepared to buy without
first seeing the results - and I'm sure that I'm not alone in this. This would
not remove the need for independent comparative reviews - but it would provide a
good starting point - we don't necessarily want to wait until a particular
DC is reviewed.
I initially compared DC technical specifications and then looked at
public reviews for those that looked promising. I quickly realised
that public reviews were not generally objective - frequently by people
that only had a DC cameras for a few days. OK - this could be said to
be the same for professional reviewers - but at least they are
experienced DC users - and are objective - generally providing
comparative images of the same subjects under similar conditions taken
with various DC's.
It also became apparent that having decided on requiring standard
batteries - it wouldn't be a true pocket DC - but still reasonably compact.
In fact going too small can result in the controls being too small - both to
operate and see easily. Unless it is a very basic DC.
By June I had short listed five DC's
-
Canon Powershot A40
- the DC I eventually bought for its good all round performance -
and its very superior low light performance (sensitivity 0.67 lux)
-
FuJi FinePix 2600 Zoom
- a very close 2nd - and better value package - one I nearly purchased
when I found the A40 in very short supply. I eventually decided to wait
for the A40 because of its much better low light performance.
-
FuJi FinePix 2800 Zoom
which is an upmarket version to the 2600 - in a differently styled case
- and from memory - did not have an optical viewfinder.
-
Minolta E203
- soon discarded as I could find no reviews or images. It's a pity
as this DC looked good on paper. I understand the "E" signifies this was
Europe only model - which would account for the lack of review material - most
of which is from the US.
-
Nikon Coolpix 2000
- no optical viewfinder - (sensitivity 11 lux)
Time to visit the shops to see them for real - and to confirm a few
details where I had found conflicting information. e.g. one review
stated the FuJi 2800 had an optical viewfinder another it didn't!
Having handled the cameras and made some test shots as best I could
under shop conditions - with a sales person breathing down my neck - I
decided on the Canon A40 Powershot. Although not from a retail shop as
they were priced some £50 higher than internet sources. Another reason
for buying from a box shifter was that I had identified a focusing
problem with earlier models and I wanted something from new stock.
It is also worth noting that specalist camera websites give better
value than computer sites - although competitive priced cameras were
available from some of the superstores have online sales - bettering
their own retail outlets.
A problem I hadn't expected was the non-availability of this particular model.
The story was that Canon were not shipping this model to Europe until
the next month. I suspected there may be a design or production
problem - but on checking - it was widely available in the US. Well
next month stretched from July until the 2nd week in October!!! I was
tempted to buy the Fuji 2600 but as I didn't have an urgent need I
decided to wait for the Canon A40.
Once the delay reached well into September - I decided to take a look
at any new cameras that had been launched since my earlier research.
The only new contender was the Nikon Coolpix 2500 but was discarded
both on not having an optical viewfinder and poor low light sensitivity.
At last in the 2nd week in October 2002 the A40 was again available
in the UK. I will not buy from any company not giving a physical
address that can be checked out. I decided on The Digital Camera
Company - who gave a Guildford address - just 20 minutes away. I
ordered my Canon A40 late on Thursday 16th and was told three working
days which would be Wednesday. To my pleasant surprise it arrived
early Monday. Top marks The Digital Camera Company.
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